Thursday, November 19, 2009
Friday, October 16, 2009
Now he writes military science fiction for Baen. However, he still wants to teach about the military. You'd get some training just from reading his books. Using stories to teach is hardly new, but Tom Kratman does one better. Every week he posts a snippet of one of his prepublished books on Baen's Bar. That kicks off a thread discussing the reasons for various actions, how to train people to do them better, etc.
This technique is a fun way to do case studies. I wonder if it can be fit into a business context, and if so if that can be made sufficiently interesting.
(1) I think that's a large part of everybody in the military above a certain rank. They do a lot more training than civilian industry, for two reasons:
1. Good enough isn't. In industry we can set a standard and say anything above that is acceptable. In the military, where every additional bit of performance could save lives on your side, nothing is good enough. Whatever you do, some very smart people on the other side will try to undo.
2. Rapid capacity expansion. In industry, if we currently need n people to do a certain job, we train n peopl, maybe a few more. If we'll need to increase the capacity, we'll train then. The demands on the average company don't change that quickly. In the military, one day the US might be at peace. The next day, Saddam invades Kuwait and there's need to protect the Saudi oil fields right now. No time to train a few extra divisions.
Monday, September 28, 2009
The same thing is happening with entertainment. Seeing a video used to require going to a movie theater. The effort was only worth it for a movie that lasted 1.5 hours or more. Maybe it was preceded by a newsreel or a cartoon to provide even more value. Then TV came, and most shows went down to half an hour. Now even that is often too long – we can use YouTube to get five minutes of something interesting.
This is not a random change or a pendulum swing. With better technology, we have better ability to search for content. This means that instead of getting a package which will hopefully include what we want, we can get exactly the thing we want. And with so much content available at our fingertips, we don't have the time to deal with fluff.
The unit size is affecting the financing of content creation. Any time you are asked to pay for something, you have to evaluate if it is worth paying for. This mental cost is going to happen, even if the financial cost is very low. The mental cost also has a lower bound. It's worth thinking if a book is worth $30 or not. But it is not worth thinking whether a Web page would be worth 5 cents. The total cost of purchase is going to be too high for the value, regardless of how low you make the financial cost.
So how do we get content creation financed (or, from another perspective, how do we get people to pay us for writing)? I can think of several models.
0. The volunteer model. Authors working for fun and glory, without an expectation of profit. If this sounds ridiculous, remember that Plato's dialogues were an unpaid labor of love. So is Wikipedia. But this model leaves something to be desired, such as food on the table of those of authors who aren't Athenian aristocrats.
I think it's obvious why this model gets numbered zero. Great things can be done with it, such as Wikipedia, but it tends to get biased results. There is only so much work you can do for free.
1. The patronage model. If you're the Emperor Augustus and you want people to believe Rome has a divine mission to rule an empire, you pay Virgil to write the Aeneid. But this isn't limited to propaganda pieces. If you're IBM and you need people to find out how to do things with Tivoli Identity Manager, you might pay Ori to write short demonstrations to put online so your customers won't have to call support. Hopefully, the cost of getting these demonstrations written is lower than the support costs IBM saves.
It's just a hunch, but I suspect we'll see a lot more of this model. The fact that information can be copied so easily does not hurt it. It merely means more viewers, which is what the patron likes.
2. Storyteller's bowl. It's very difficult to evaluate the value of content in advance. It's a lot easier to do it after reading. If enough people feel obligated to donate after writing, you can let them decide if the material is worth supporting (and how much). This is how Dave Freer's Save the Dragons works. It's also the business model for Torah.Org, and very similar to the model for Kingdom of Loathing.
3. Business as usual. If you have really good content, you might be able to charge for it. You're competing with a bunch of free material out there, but if you have great material, such as Baen's Webscriptions, you can still get people to pay you. But as units of content get smaller, this gets harder.
4. Aggregation and subscription. Business almost as usual. If you can aggregate enough units of content, then access to the whole collection might be worth enough to decide to pay for it. This is the way Books24x7 works, for example.
I'm not very optimistic about this model, because I don't think it produces enough per unit of content. I once wrote a book about RACF. It's on books24x7, and we (the publisher and all four authors) get about $200 per quarter. At $800 a year for a full book, I don't see enough value coming out of aggregators.
Wednesday, September 16, 2009
Tuesday, September 15, 2009
But in this case most of the cartoons are actively evil, and we're trying to subvert their meaning.
This requires a much higher level of analysis, which the students probably cannot do on their own. This requires a more structured approach:
- Introductory material, which the students can either hear or read.
- Questions to think about while watching the movie.
- Watching the movie.
- Post movie discussion.
Wednesday, September 9, 2009
My 1st grader son loves war "stuff". He plays at shooting, etc. His favorite type of history is military history. If that's the common pattern, it might be best to use war propaganda. It's not hard to find.
Kids find it easiest to relate to other kids, so I can start with this Disney video. It teaches the background in a way I think kids will be able to understand:
To illustrate the above, here's an example from Nazi Germany:
This is similar, except it comes from the USSR and is more defensive in emphasis:
Then, maybe put a US spin on thing by showing how we do propaganda:
Tuesday, September 8, 2009
I'm wondering if it would be a good idea to write something for elementary school age children about "propaganda appreciation". Just as in art appreciation you learn the tricks and techniques of art, in propaganda appreciation the kids will learn the tricks and techniques of propaganda. That might help immunize them against it in the future.
I'd like to keep this project politically agnostic. I don't want to lose potential users only because their parents have silly political ideas. Kids whose parents have silly political ideas are precisely those who most need such a program.
What I'm planning to do is take some old propaganda, from governments that everybody agrees had the wrong idea: The USSR and Nazi Germany.
Kids can watch this kind of video, and answer guiding questions to realize how the video tried to get them to accept certain ideas. Hopefully, they'll be able to transfer this to modern life.
Do you think this is a viable idea?